AN AMERICAN IN PARIS, Leslie Caron, Gene Kelly, 1951 ANCHORS AWEIGH, Gene Kelly, with Jerry the Mouse of Tom and Jerry, 1945 THAT'S DANCING!, Gene Kelly, Jack Haley Jr., Sammy Davis Jr., Ray Bolger, 1985, (c)MGM AN AMERICAN IN PARIS, Gene Kelly, 1951 SUMMER STOCK, Gene Kelly, Judy Garland, 1950 AN AMERICAN IN PARIS, Gene Kelly, Leslie Caron, 1951
Bejerman N, Trucco V, De Breuil S, Pardina PR, Lenardon S, Giolitti F
So, as I have been trying to suggest, there is small wonder that Abbey chose Norway as a counter image to the world being brought into being by Bishop Love, defender of uranium mining, people and industry and jobs and unlimited opportunity (1990, 260), symbol of bloated personalities totally shaped by the profit motive, tourism, jobs at the expense of the environment, and corporate expansion

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